Etiqueta: Croacia



7 may 10

El primer genoma de esta especie demuestra que hasta el 4% del ADN de los humanos actuales procede de ella. Los sapiens se cruzaron con sus ‘primos’ en Oriente Próximo hace 80.000 años. Genes de desarrollo cognitivo y craneal diferencian a ambos

NUÑO DOMÍNGUEZ 06/05/2010 20:17 Actualizado: 06/05/2010 22:27

Cráneos utilizados por un equipo internacional de investigadores,  con participación española, que ha descifrado el primer borrador del  genoma del neandertal. EFE

Cráneos utilizados por un equipo internacional de investigadores, con participación española, que ha descifrado el primer borrador del genoma del neandertal. EFE

Los neandertales se extinguieron hace miles de años, pero una pequeña parte de ellos sigue viva. El primer borrador del genoma de este primo de los humanos actuales demuestra que los habitantes de Europa y Asia lleva hasta un 4% de ADN neandertal. El trabajo es una confirmación casi definitiva de que ambas poblaciones se cruzaron y tuvieron hijos fértiles.

“Ha sido una sorpresa y se contradice con las opiniones que habíamos defendido antes”, explica a Público Carles Lalueza, investigador de la Universidad Pompeu Fabra y coautor del trabajo, en el que se han analizado fósiles neandertales de El Sidrón (Asturias) y de otros yacimientos.


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Filed under: ACTUALIDAD,ARTÍCULOS,Curiosidades,General,HISTORIA ANTIGUA,OPINIONES,Prehistoria europea,Prehistoria general

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29 ene 09

I parte :Para visitar las principales Colecciones mundiales de Arte egipcio
  • Alemania:Museos de Berlín


http://sys.nomadlife.org/uploaded_images/markaterka-798399.jpg

  • Biblioteca Nacional, Instituto del Papiro: Papyrus MuseumHeldenplatz, A-1010, Wien, Website: www.onb.ac.at/ev/collections, U-Bahn: Volkstheater
  • Bélgica

Musées Royaux d´Art et d´Historie:

Les Musées royaux d’Art et d’Histoire (MRAH) regroupent plusieurs musées établis à Bruxelles :

Musée du Cinquantenaire

MIM

Musées d’Extrême-Orient
Tour japonaise
Pavillon chinois
Musée d’Art japonais

Porte de Hal

Náprstkovo Museo de Praga

  • Croacia

Arheološki muzej u Zagrebu Museo Arqueológico de Zagreb, ARHEOLOŠKI MUZEJ
Trg Nikole Šubića Zrinskog 19, (P.P. 13),10000 ZAGREB, žiro-račun 2360000-1101469572, telefoni – centrala: (+385 1) 48 73 101, 48 73 000,
fax: (+385 1) 48 73 102, e-mail: amz@amz.hr

Momia de una mujer egipcia, está en el museo de Zagreb.
Con la momia encontraron un papiro en hierático con escenas del Libro de los Muertos, pero estaba bastante deteriorado, el nombre de la momia es Nesi-Hensu

The Zagreb Mummy por Curious Expeditions.
SIGUE EN II PARTE

Filed under: Arqueologia,H. Egipto,R. Egipto,RELIGIONES ANTIGUAS

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10 ene 09

Closeup on the Linen Book/Mummy Wrappings of the Lost Etruscan Language por Curious Expeditions.

Parte del texto en etrusco de las vendas de la momia de Zagreb(Croacia)

The Zagreb Mummy

 In 1848 or 1849, a nobleman from Slovenia, Mihail de Baric, bought a mummy in Egypt, which found its way into the National Museum of Zagreb in 1862. Where the mummy had been found and sold is unknown. The mummy consisted of the remains of a child. It was wrapped in a piece of linen cloth, which had been torn into wrapping binds. The linen cloth had been written on with texts in ink, apparently before it was torn into pieces and used as mummy wrapping.

At first it was thought that the texts were a literal transcription from a text in Egyptian. Only in 1891, the Austrian egyptologist J.Krall discovered, that the Liber Linteus(a linen book) consisted of an Etruscan text, the longest Etruscan text known to us today (approx. 1200 words).

The Zagreb Mummy por Curious Expeditions.

The Zagreb Mummy was found to be wrapped in a linen book printed with the longest only existing Etruscan text. It is mostly untranslated, as such little knowledge of the language exists. However, it is believed to be a ritual calendar. The Linen Book of Zagreb is also known as the Liber Linteus.

The mummy and its priceless wrappings are kept in a refrigerated room at the Archeological Museum in Zagreb, Croatia 

One must imagine the linen book as a harmonicawise folded piece of linen cloth, containing 12 pages. The book looks more like a codexthan like a bookscroll (volumen). Each page has a column of text, originally consisting of 35 lines in black ink between two vertical margins in red ink (width: 24 cm).

All lines are from the right to the left. There was no overwriting of the left margin; eventually, a word was broken off and the rest of this word was written above the line, from the left to the right! This is a reminiscence of the archaic boustrophedic way of writing, which can be seen in the Etruscan text on the Tile of Capua. Sometimes, a red horizontal line marks the beginning of a paragraph

An Etruscan urn in the shape of a Liber Linteus

The total length of the book originally was 12 cm by 29.6 cm, its height probably 40 to 44 cm. As to the sizes of the “pages” and the layout, this document resembles to certain Gubbio Tablets, which contain old liturgic inscriptions in Umbrian. By the way, an old Umbrian god from Gubbio (Lat. Iguvium) appears in the text of the Liber Linteus: Grabuvie, in the Liber Linteus appearing under the Etruscanized name Crapsti.The date of the Liber Linteus is a point of firm discussion. Most recent dating proposals vary from the 3rd century B.C. until the 1st century A.D. The 2nd century B.C. seems to be most likely, because of the fact that a few rare names of gods appearing in the text of the Liber Linteus do not appear in votive inscriptions before 150 B.C.

 

 

 

It is thought that the Liber Linteus was written and made in the area of the Trasumene Lake, according to the form of the lettering used in it. Archaeologists think of cities like Cortona, Chiusi or Perugia.

 

 

 

 

How the book found its way to Egypt and when this happened is unknown. A possible date for transfer to Egypt could have been 80 B.C., when the Etruscans fled from the actions of the senatorial minded Roman consul Sulla, for example to Northern Africa, like three border stones with Etruscan Inscriptions in Tunesia prove.

Spelling of the words in the Liber Linteus

The many variations and uncertainties in the spelling (f.e. zamtic-zamthic; aiser-eiser; enac-enach) betray that the scribe copied an older text, which probably contained even older texts.

The content of the text can only be comprehended very partially. What is certain, however, is that the Liber Linteus is a liturgical book, giving directions concearning rituals, which have to be conducted on certain dates, for certain deities and on certain places. Some formulas are found frequently, like:

tinsi . tiurim . avils

this means: “dayly, monthly, every year”; or:

sacnicleri . cilthl . spureri . methlumeris enas and variants of this formula

which means: “sanctuaries of Cilth (protective deity?) of cities and their districts”.

Column I (the last “page”of the book) is very very fragmentary. Nevertheless, the words zicri . cn . betray “that this (cn having to be written down”(participium necessitatis, more generally in Latin language known as “gerundivum”).From column VI on, dates are given:
VI: zathrumsne: “on the twentieth”; eslem . zathrumis . acale: “June 18th”
VIII:thucte . cis . saris“: “August 13th”; celi . huthis . zathrumis: “September 24th”
IX: ciem . cealchus: “on the 27th”(30-3)

X: ciem cealchuz: “on the 27th” (30-3)

XI: eslem . zathrum: “on the 18th” (20-2); eslem . cealchus: “on the 28th”(30-2); thunem…ich . eslem . cialchus: “on the 29th of..as well as on the 28th of..”

XII: thunem . cialchus . masn: “the 29th of Masan” (30-1)

On this last date, a sacrifice had to be made in the sanctuary of Uni (unialti). Strikinly, in the short text of Pyrgi on the golden plaques found there, the month Masan is mentioned as a time to pay honor to the goddess Uni. So this points out to a more than three century old tradition.

Column VII seems to be a melodious hymn with a formal diction:

male . ceia . hia…aisvale

male . ceia . hia…..ale

male . ceia . hia…..vile . vale

   staile . staile . hia etc.

   The columns mention the following deities:

     I: introductionII: Farthan aiseras seus (genius of Aisera Seu)
III: Crapsti (probably identical with the Umbrian god Grabuvie; Grabuvie is also thought to be an Umbrian cognomen for Iuppiter, Mars and the god Vofionus; Crap- can have been originated out of Grab-)
IV: Crapsti
V: Aiser sic seuc (Aiser Si-Seu-c/The Gods Si and Seu); Aisera Seu

VI: Lusa and Lustra, Crapsti, Ati Cath (mother Catha), Luth and Cel

VII: “hymn”

VIII: Culscva, Nethuns(i.e.Neptunus)

IX: Nethuns

X: no known diety names

XI: Velthina (?), Veive (i.e. Veiovis), Satr (i.e. Saturnus)

XII: Aisera seu

 

 
The text contains directions to priests (cepen) in the form of imperatives: “libate, sparkle water on…put down….”. The nature of the ritual actions varies from god to god. Thus, Aisera has to receive a kletram srenchve (an ornamented bowl?). Vinum, wine is meant for Crapsti and rites concearning the statues (fler) of Lusa, Crapsti and Neth are mentioned. offering tools mentioned consist of a spanti, a type of vase, the word occurs in Umbrian as well; furthermore, a puth,cup, pruch and prucuna(from the Greek word ‘prokhous’: kanteen). Some offerings, like vacl, mlach, zusleva also occur in archaic Etruscan inscriptions, f.e. on the Tile of Capua.
It is thought, that the ritual text was not used in a public sanctuary. Column XII mentions unialti . ursumnal athre, an atrium in the temple of Uni of Ursmna. If Ursmna is a family name (and a family with the Latinized name of Ursuminiis known in Chiusi, this liturgical book has been probably used for a private cult.
Links to more information on the Liber Linteus:

The Etruscan Liber Linteus, by Gabor Z. Bodroghy

The Linen Book (Liber Linteus), by Paolo Agostini

Close fragment of the Liber Linteus texture

www.geocities.com/jackiesixx/caere/linteus.htm

 

 

 www.maravot.com/ScriptZF9.01.html

Bibliografía :VÁZQUEZ  HOYS,ANA MARIA: EL MUNDO MEDITERRÁNEO HASTA AUGUSTO.Madrid, Ed.Sanz y Torres 2004

 id.: La República romana. Madrid, Uned, 2000

 

 

 

Filed under: Arqueologia,ARTÍCULOS,General,H. Egipto,HISTORIA ANTIGUA

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