11 abr 10

Joyas de la Corona rusa

Escudo imperial ruso


Catalina la Grande (1762-1796)

http://nobleyreal.blogspot.com/2009/11/casa-romanov.html

Neck Badge of the Order of St. Anne, 1760En 1719, el Emperador Pedro I “el Grande” (reino de 1682 a1725), fundo la mas antigua   version de lo que se conoce  ahora como la  State Diamond Fund of the Russian Federation.

Pedro I habia visitado otras naciones europeas, e introdujo muchas innovaciones en Rusia, una de las cuales fue la creacion  de una fundacion permanente de la coleccion de la joyas que pertenecian no a la familia  Romanov , sino al Estado Ruso.

Neck Badge of the Order of St. Alexander Nevsky, 1775

Peter declaro que estas joyas eran del Estado ruso ,para su permanente gloria

Pedro I lego todas las piezas usadas en la ceremonia de su  coronacion a la Diamond Fund, asi como muchas piezas  importantes de joyeria de los siglos XV, XVI y XVII . Las piezas estan guardadas en una habitacion especial del Palacio de Verano de  St. Petersburgo, primero denominado el  Renteria, y luego llamado  Diamond Chamber o “Camara de los diamantes”.

The Great Imperial Crown.

La Gran Corona  Imperial .

La Gran Corona Imperial realizada en 1762 para la  coronacion de Catalina la Grande por el joyero de la Corte J.Pauzie representa un alto grado de imaginacion creativa, . Esta  adornada con 500  diamantes montados en forma de una magnifica rama de laurel y roble.

La parte superior de la corona esta recamada por dos filas de grandes perlas y esta coronada por una roja espinela , la segunda en tamaño del mundo,  que pesa  400 quilates.

En el Cetro esta montado el famoso “Diamante Orlov “, de  189 quilates.



La coleccion Faberge

Durante el siglo XIX llevaron a numerosos cambios en la joyeria y numerosos joyeros trabajaron en Rusia, y numerosos , como Faberge consiguieron una gran fama.

Peter Carl Faberge, de una familia francoalemana , trabajo en el mundo de la joyeria durante 40 años  antes de la I Guerra Mundial. La firma  Faberge obtuvo fama mundial , introduciendo en el mercado figuritas hechas con piedras preciosas y semipreciosas, polveras, pitilleras y numerosas joyas.

Faberge. Snuffbox, Circa 1765, State Hermitage Museum.

Faberge. Caja de tabaco,h. 1765, Hermitage Museum. Faberge: Snuff-box Una caja  de oro adornada con diamantes y esmalte de dos colores, diamentes y el escudo imperial  y el monograma de zar Nicolas II

Faberge: A gold-and silver-mounted diamond-set tiara.
Tiara de plata y oro con diamantes , firmada con las  iniciales KF por Carl Faberge.La Casa Faberge fue  distinguidaentre otras joyerias para fabricar los famosos  “Huevos de Pascua con sorpresa”. Durante 11 años, la joyeria recibio el encargo de la Corte rusa para fabricar dichos huevos.
Faberge: Lilies of the Valie egg El huevos denominado “Lirios del Valle” es una de las mejores piezas de estilo Art Nouveau . La miniatura del Tzar Nicolas II y sus dos hijas Olga y Tatiana estan pintadas y colocadas  bajo la corona imperial, sobre el cuerpo del huevo esmaltado en rojo, adornado con perlas y hojas esmaltadas en verde sobre patas de oro.

Faberge: Rooster eggSolo seis de los Huevos imperiales contenian mecanismos.
Uno de los mas famosos es el Huevo del gallo, que el zar, Nicolas II, presento a su madre el 9 de Abril de 1900.

En la parte superior , al pulsar un boton, se abre la tapa y aparece un gallo moviendo las alas. El pequeño gallo se adorna con plumas verdaderas. En 1985 el huevo fue  egg adquirido por la Forbes Magazine Collection  por 1.76 millones de dolares US.

El Huevo de la  Coronacion  es de oro  esmaltado para reproducir la tomalidad del sol y  cubierto por un enrejado del oro marcado por diamantes con  las águilas imperiales en las intersecciones.-

En su parte superior esta el monograma de la Tsarina Alexandra Feodorovna rodeado de diamantes  rosas y rubies. La fecha  1897, aparece en la parte superior del huevo. Cuandoe el huevo se abre, la sorpresa escondida en su interior aparece en un compartimento forrado de terciopelo  es una reproducción desprendible de una carroza de  oro,  esmalte, diamantes  y cristal de roca.

Faberge: The Coronation Egg. Faberge: El Huevo de la Coronacion.

Hoy, en el Museuo de f Faberge se pueden ver las mas famosas y exquisitas piezas de la firma  Faberge y las reproducciones de los Huevos de Pascua imperiales -

-www.tristarmedia.com/bestofrussia/jewels.html


Imperial Diamond Tiara.
Tiara Imperial de diamantes.
Pair of Earrings in the form of bees, 1760La hija de Pedro I el Grande ,

Elizabeth I (reino de 1741 a 1761)

tuvo una gran pasion por las joyas ,

y una gran cantidad de las mas bellas

piezas de joyeria  Rococo proceden de

su reinado, como estos magnificos

pendientes  en forma de guirnaldas

de flores y abejas.

http://s3.amazonaws.com/lcp/retratosdelahistoria/myfiles/Elisabeth-I-Petrovna-de-Rusia_1709-1761.jpg

Elisabeth I Pretrovna de Rusia

En 1914, debido a la posible invasion alemana, la coleccion fue

empaquetada y enviada de   St. Petersburg a Moscu,donde fueron

guardadas en una boveda acorazada en el  Kremlin por cuestiones

de seguridad. Pero los vaivenes de la politica rusa,  incluyendo la

Revolucion de 1917 y la guerra civil rusa complicaron la historia

de las joyas del Estado ruso.


Military Decoration with a potrait of Peter The Great.
Royal Tiara.

Las joyas fueron olvidadas por un

tiempo, y  en 1926  fueron encontradas

en el  Kremlin,y fotografiadas y catalogadas en su totalidad.

Una selección enorme de ellas fue

vendida a un consorcio americano,

y otras, un  70% de las colecciones originales, fueron vendidas en

la Casa Christie ‘s de subastas  en Londres en 1927.

Las piezas vendidas se dispersaron  por todas partes del mundo, y la

localizacion de muchas es  desconocida.

Russian Field Tiars made from Diamonds and Gold.
La tiara del campo ruso hecha con diamantes y oro

Las piezas restantes, que son histórica y  artísticamente las  más importantes

de la coleccion incluye las joyas de la coronatos usados en las diferentes coronaciones y las coronas,tronos y cetros mismos de los diferentes zares

y  una espectacular colección de joyería de los siglos XVIII y  XIX. Las piezas fueron exhibidas por primera vez en 1967 para  conmemorar el 50

aniversario de la revolución, cuando fueron exhibidas en una camara  especial bajo el Kremlin a los oficiales de alto rango y a los dignatarios extranjeros.

Los tesoros del fondo del diamante son parte de la herencia  nacional del Estado ruso. Desde la caída del comunismo, las piezas se exhiben al público,que puede visitar el fondo del diamantes en el Museo de la Armeria del Kremlin de  Moscow.

Rose Brooch made from diamond and platinum 1970 .

Panagia, 17th Century La historia de las joyas del Tesoro ruso

tienen mas de mil años. Muchas de las

piezas mas antiguas  son muy similares

en estilo a las piezas usadas en la corte

del Imperio bizantino y han cambiado

poco durante las epoca florecientes de

la antigua Rusia y  Kiev,manteniendose

hasta la epoca de Pedro I el Grande, en

que loas cambios se produjeron por

influencia occidental.

Crown for the Icon of our Lady of Tolog, 19th Century

Snuffbox, Gold, cut diamonds, diamond roses, glass and silver, 1775 .Durante la segunda mitad

del siglo XVIII la colección

imperial rusa de artículos de la joyería crecio continuamente a.

Tales piezas, las tabaqueras incluidas,  pudieron también

ser utilizar como concesiones

o regalos diplomáticos.

Catalina II  misma era una  coleccionista apasionado de  tabaqueras

hechas de piedras raras  y le gustaba rodearse de ellas.

State Sword and Shield early 17th century . La colección de regalía del Estado (objetos reales) en la Camara del Tesoro del Arsenal de Kremlin es el orgullo nacional de Rusia. Consiste en las coronas, los cetros, los tronos, las espada de parada  y  la espada real , las cadenas y las cruces que jugaron la parte principal de el ceremonial cortesano desde los siglos XIII al XIX .

Estas reliquias sagradas, símbolos del poder del Estado, fueron pasado de generación en  generación, afirmando la continuidad y estabilidad de la  autocracia suprema. Reflejan la historia entera del Estado ruso y son testigos de los acontecimientos políticos más significativos.

Todos estos objetos tienen un gran valor artistico, historico y material  y se usaron el a coronacion de los diferentes Zares hasta la de  Nicolas II.

El propósito de la coronación es establecer lazos de union entre la utoridad del Zar y la de la Iglesia. Es el mensaje  de la Iglesia y el Estado y nombra alZar Padre, Cabeza y Gobernate de todo en pueblo ruso  por la voluntad de Dios.”


Crown of Tsar Momomach late 13th century.
Corona del  Tsar Momomaco,fines siglo XIII d.C.

Crown of Tsar Kazan mid 16th century.

Crown of Peter the Great, 1684, made in the Kremlin Workshop.

Aunque el capital rusa se habia  cambiado a  St Petersburgo, los Zares volvieron siempre a Moscú para su coronación en el Kremlin, en la catedral de la Dormition de la Virgen. Y cuando se acercaban lass festividades de la coronación , la corte entera viajaba de  St Petersburgo a Moscú.

Según la costumbre, la familia real se paraba  en  palacios  de aldeas preparados especialmente para su entrada real en el antigua rusa. Su a entrada en Moscú era saludada con un saludo de armas, el sonido de campanas de la gran torre de  Ivan ( Great Bell Tower) de Kremlin, y el sonido de trompetas y de tambores.Su llegada estaba precedida por una gran procesion  que seguia un marcado protocolo en la que estaban representados todos los pueblos del vasto Imperio ruso.Para dicha ceremoni se elevaban palcos, tribunas, estrados especiales y numerosos personajes llevaban presentes al Zar y su familia al tiempo que numerosos sacerdotes  de todas las iglesias de Moscu llevando cruces recemoniales recibian al zar y su famila.

Throne of Tsarina Elizabeth, daugter of Peter the Great, 1742.
Trono de la  Tsarina Elizabeth, hija de Pedro el Grande, 1742.

Double Throne for Tsars Peter the Great and his brother Alexis 1684 made from silver and gold .
Mitre of the Archbishop Arseny, 1744.

Asimismo, la antigua  corona  de los Zares rusos, el casquete de Monomaco, fue substituida por una corona de estilo de Europa occidental , hecha de dos hemisferios separados  un arco. Al principio, las nuevas coronas fueron hechas generalmente para cada coronación.

http://famousdiamonds.tripod.com/greatimperialcrown.jpg

Corona de Catalina la Grande

En 1762, sin embargo, el famoso joyero  de St Petersburg, Ieremiia Poze, creó una corona magnífica de diamantes para Catalina la Grande. Esta obra maestra  fue utilizado en todas las coronaciones posteriores, incluyendo la del ultimo miembro  de la dinastía  Romanov, Nicolas II.

El Orbe Imperial fue realizado en oro rojo para la coronacion de la Emperatriz

Catalina la Grande en  1762. Esta rodeado de una doble fila de grandes

diamantes rodeados de flores de diamentes y lleva en lo alto una cruz de

diamantes ybajo ella  un zafiro de unos 47 kts.

Crown and Orb from Tsar Micheal Romanov late 16th century.

Corona y Orbe del Tsar Miguel  Romanov, fines s.XVI.

Imperial crown.

Throne of Ivan the Terrible.
Trono de  Ivan el Terrible.
El Zar conceda amnistía a los presos, y era generoso con todos sus subditos: las multas se perdonaban y se daban facilidades  para el pago de los impuestos

Emperor Nicholas II on the Red Porch after his Coronation, A. Edelfelt. Watercolour and gouache.1896.
Nicolas II en la Puerta Roja tras su coronacion , A. Edelfelt.  Acuarela y  gouache. 1896.

http://famousdiamonds.tripod.com/orlovdiamond.jpg

El diamante Orlov

famousdiamonds.tripod.com/russiancrownjewels.htm

it measures 47.6 mm in height, 31.75 mm in width, and 34.92 mm in length.

The clarity is typical of the finest Indian diamonds and its color

possesses a slight bluish-green tint. The shape of the diamond has been described as resembling half a pigeon’s egg and its upper surface is marked by concentrated

of triangular facets, with corresponding four-sided facets appearing on the lower surface. The total number of facets is roughly 180. On one side of the diamond there exists a slight indentation.

The unusual shape of the Orlov, the pattern of its facets and the presence of this blemish intriguingly suggest that this diamond can be indentified with a long-lost legendary stone.

Among the first Europeans who were permitted to examine the gems of the Mogul rulers of India was Jean Baptiste Tavernier, who provided illustrations of several stones he had seen in his work Six Voyages of Jean Baptiste Tavernier.

Tavernier’s drawing of the diamond which has come to be known as the Great Mogul is of particular interest and importance, because it is the only one of this legendary stone known to have survived. According to all the available accountds of its history the Great Mogul was found about the middle of the 17th century in the Kollur diamond deposits situated by the Kristna (or Krishna) River in Hyderabad, and weighed no less than 787½ carats. In due course it found its way into the Mogul treasury and was shown to Tavernier by Aurangzeb (1658-1707), the third son of Shah Jahan, who had successfully fought off the challenge of his three brothers and usurped his father’s throne.

The cutting of the Great Mogul was entrusted to an Italian, Hortensio Borgio, who reduced the weight of the stone to 279 and 9/16 carats. The results of the efforts of the cutter, however, so displeased Aurangzeb that instead if rewarding him for his services, he fined him 10,000 rupees and would have extracted more had the wretched man possessed it. Tavernier makes several references to the Great Mogul, which are included under that entry.


A drawing of the Orlov Diamond from the book Precious Stones by Max Bauer,
published in 1904. The stone’s outline is somewhat irregular, rather than the oval
stone that Tom R. Barbour’s cutting instructions call for, which appeared in his
famous diamond replica series in Lapidary Journal in the early-1960′s.

The drawing
of the diamond matches Ian Balfour’s description very closely, with triangular facets
towards the top of the diamond and four-sided facets toward the bottom. The bottom
of the diamond appears to have three large facets, one the middle one either curved
off or horizontal, and a diagonal one on either side.It is clear that the Great Mogul was the leviathan of all old Indian diamonds and that it was appreciated as such.

But the mystery remains: what fate could have befallen such a great gem of which all trace appears to have been lost. Some have suggested that it was cut into smaller gems. Others suggest that it does exist today in the guise of another diamond, and the names of three in particular have been put forward: the Darya-I-Nur, the Koh-I-Noor, and the Orlov.

The contents of the Iranian Treasury were opened up in the 1960s for examination and cataloguing by three Canadian experts, among them V.B. Meen, who wrote a book about them titled The Crown Jewels of Iran. Their researches demonstrated that the Darya-I-Nur, the most important gem in the whole collection, bears no resemblance whatsoever to the Great Mogul. The Darya-I-Nur is light pink in color, while its flat, oblong shape has been demonstrably proved by the Candians to have been fashioned from the so-called Great Table Diamond which figured as No. 3 in Tavernier’s set of drawings.

The evidence for indentifying the Koh-I-Noor with the Great Mogul is stronger. When the diamond was brought to England in 1850, drawings were made that showed its diameter approximated to that of the Great Mogul. The gem was considerably flatter but it showed the surfaces wence portions had been removed by cleavage.

On the other hand, some authorities have always maintained that the existence of of the Koh-I-Noor had been known long before the advent of the Great Mogul and have identified it as the great diamond owned by Babur (1483-1530), the first of the Mogul dynasty. Babur reigned about a century and a half before Aurangzeb. It us unlikely that anyone will ever know for certain one way or the other the truth about the earliest history of the Koh-I-Noor.

There remains the Orlov.

When a comparison is made between Tavernier’s drawing of the Great Mogul and the photographs of the diamond in the Kremlin, it immediately becomes apparent there are similarities.

The first lies in the shape. It will be recalled that the Orlov has been described as resembling half a pigeon’s egg and that Tavernier refered to the Great Mogul as presenting ‘the form of an egg cut in half.’ Throughout history there cannot have been many diamonds of such an unusual form.

Secondly, the pattern of facets of the two stones is not disimilar. Thirdly, the previously-mentioned slight indentiation that exists in the Orlov must correspond to Tavernier’s note to that effect that ‘there is a slight crack and a little flaw in it.’ In addition, as will be shortly shown, the story of the Great Mogul would appear to have no known ending and that of the Orlov has no clear beginning – further historical evidence that they are probably one and the same diamond.

On the other hand, there is the discrepancy between the weights of the two stones.

After being cut by the Venetian, Borgio, the Great Mogul’s weight was reduced to around 280 carats, whereas the Orlov is estimated to be less than 200 carats. In this connection two points must be made. First, it has been shown by others that Tavernier may not always have recorded with accuracy the weights of the various stones he examined; for example, it is almost certain that he erred in the weight he gave for the Great Table Diamond. Secondly, it is not at all unlikely that at some point in its complicated history a further attempt may have been made to alter the state of the Orlov – to improve upon the efforts of Hortensio Borgio, by grinding away a portion of the top of Tavernier’s diamond to resemble the shape of the Orlov today.

Finally, the Soviet authority on gems, Academician Alexander E. Fersman, who examined all the former Crown Jewels from a gemological point of view, was in no doubt that the Orlov was the same diamond as the Great Mogul. Personally, I also believe they are the same stone, recut.


The Imperial Sceptre, viewed from straight-on.

The Orlov is surrounded
by a row of small Old Mine cut diamonds.

The setting around the diamond
is relatively simple and could very likely be replicated, but despite it, it is
sadly unlikely the GIA will ever be able to fully examine the great diamond.According to one account, the earliest known fact about the Orlov is that it was set as one of the eyes of an idol in a sacred temple in the south of India.

This temple is stated to have been situated at a site alternatively spelled by past authors as ‘Srirangen’, ‘Sherigan’, ‘Scheringham’, and ‘ Sheringham’. But its true location is Srirangam, a town in the Tiruchirapalli (Trichinopoly) district of Madras which stands on an island formed by the tranching of the Cauvery River, about 3.2 km north of Tiruchirapalli city.

The island, measuring 27 km long and 1.5 to 2 km wide, was strategically important as a base during the struggle between the English and French forces for Trichinopoly in the 18th century.

The great temple at Srirangem, dating from the 17th century, is dedicated to Vishnu and is reguarded as one of the most sacred shrines in southern India. It is composed of seven rectangular enclosures, one within another, the outermost having a perimeter exceeding 11.25 km in length. A remarkable feature is the Hall of a Thousand Pillars, with its colonnade of rearing horses.

A French soldier, who deserted and found employment in the neighborhood of Srirangem, learned that the temple contained the celebrated idol of a Hindu god, the eyes of which formed by two large diamonds of inestimable value.

Thereupon he made a plan to seize the gems, a feat which necessitated years rather than months of planning, since no Christian was ever admitted beyond the fourth of the seven enclosures. So in order to effect his evil purpose, he embraced the Hindu faith and eventually obtained employment within the walls of the temple. By degrees he gained the confidence of the unsuspecting Brahmins and was allowed in as a frequent worshipper at the inner shrine, because of his apparent veneration for this particular divinity. Ultimately, he secured the appointment of guardian to the innermost shrine within which lay the object of his attention.

Then came the moment for which the Frenchman had waited so long, a stormy night that masked the idol in fitful shadows. He laid his sacrilegious hands upon the diety entrusted to his care and prized one of the diamond eyes out of its socket. Losing courage, he then fled the scene leaving the other diamond behind. He scaled the walls of the temple, swam the river and escaped into the surrounding jungle to the comparative safety of the English army encamped at Trichinopoly, and all the while the tempest raged. Finally, he made his way to Madras, where he sold the diamond for £2000 to an English sea captain who brought it to London and sold it to a Jewish merchant for £12,000.

The merchant, in turn, is said to have sold it to an Armenian by the name of Khojeh Raphael, who had left Persia as a young man, sailed to Surat and then travelled by sea to England and then to Russia, passing through Amsterdam. Apparently, his travels had taken him to most European countries before he decided to settle as a merchant in the Italian port of Leghorn. According to a Persian traveller, Khojeh was ‘a complete old scoundral, who had seen a great deal of this world and understood a number of languages.’

This colorful account of the Orlov cannot be relied upon as authorative. The real point of interest concerns the identity of the second diamond in the idol. Which diamond could possibly have been set as the eye? The candidates are few, with the Koh-I-Noor being foremost amongst them, but we know that this historic gem had been taken from Delhi in 1739 by the Persian Nadir Shah. Perhaps the second eye of the idol had filled by some other precious stone or had the idol itself at some time suffered the same fate as Nelson at Calvi?

Another version of the Orlov’s journey to Europe is even more lurid. This account begins with the diamond belonging to the Mogul rulers and being amongst the loot carried off from Delhi by the Persians under Nadir Shah.

Shortly after Nadir Shah had been murdered in 1747, an Afghan soldier, formerly in his service, appeared in Bassorah, a large town situated on the Shatt-el-Arab, some 112 km north of the Persian Gulf. The original city of Bassorah, of Thousand and One Nights fame, was founded by Caliph Omar I in AD 636, some 13 km from the modern city of Basra, which, like its predecessor, is an important port and trading center for produce from the east.

As well as the diamond, the Afghan brought with him many other expensive jewels, all of which he offered to an Armenian merchant named Grigori Safras, then residing with his two brothers in Bassorah. Safras was astonished at such a valuable hoard in the hands of a poor soldier who was obviously unaware of its true value. He was obliged to postpone the chance of doing business with the soldier in order to find sufficient funds. In the mean time, the Afghan became suspicious of the merchant’s delay and, believing that a trap was being laid for him, disappeared from the city as mysteriously as he had entered.

The soldier made his way to Baghdad where he met a Jewish trader to whom he sold his treasures for 65,000 piastres (then about £500) and two fine Arab horses. But instead of returning home, he proceeded to squander his newly acquired riches in a bout of dissipation. Unfortunately, in the middle of his revels he met up again with Safras who this time determined not to lose site of the man.

Disappointed to learn that the Afghan had sold his treasure, however, he was able to learn the whereabouts of the trader’s residence, and lost no time in calling on him. Safras offered the merchant twice the amount he had paid for the diamond but the trader was unwilling to part with it. Thereupon Safras had consulted his two brothers who had joined him in Baghdad; they decided to acquire the diamond by foul means. Having successfully accomplished this, it became obvious that the Afghan would also need to be disposed of, because his evidence would incriminate the brothers. So, taking advantage of his liking for riotous living, they induced him to join them the next day for a bout of drinking during the course of which they administered poison. The bodies of the Jewish trader and Afghan soldier were placed together in a sack and thrown by night into the River Tigris.

The slaughter had not yet finished. Events had run smoothly for the murderers up to that point, but when it came time to the distribution of the plunder, each of the three brothers insisted on having the diamond. As it was impossible to divide the gem into three equal parts, and as neither of his brothers was prepared to waive his claim, the wily Safras treated them in exactly the same way that they had treated their unfortunate victims. So Safras perpetuated a double fratricide and another sack was dumped into the Tigris. After such a spate of killings, the Armenian wisely considered it prudent to move on; accordingly he made his way to Constantinople, then through Hungary to Silesia, before arriving in Amsterdam. Here he set himself up as a dealer in precious stones. One can only hope that the city’s pre-eminence as a trading center was what attracted him, rather than its aqueous situation.

Now according to Edwin Streeter’s book The Great Diamonds of the World, this second version of the history of the Orlov Diamond does not refer to the Orlov at all, but to a totally different diamond called the Moon of the Mountains, which weighed 120 carats. However, no trace of such a diamond exists today, least of all in the Russian Diamond Fund. In addition the Russian authorities have brought to light records which indicate that around 1768 their great diamond had indeed passed into the hands of an individual named Safras. Moreover they have also refered to the city of Astrakhan in their account of Orlov, a reference which is possibly explained by Streeter.

He states that after setting up in Amsterdam as a dealer, Safras drew the attention of certain European rulers, among them Catherine the Great of Russia, to his jewels. The Empress was apparently much taken by the description of the Armenian’s great diamond, and invited Safras to her capital, St. Petersburg, where she put him in touch with the Court jeweler, I.L. Lazarev. Negotiations broke down over an agreed price for the gem, the amount being requested by Safras considered exorbitant. However, Count Panin, the favorite minister of the Empress at the time, proved equal to the occasion and ultimately showed himself more than a match for the astute Armenian. The demands of Safras were neither agreed to nor rejected; instead he was gradually led into a style of living with proved beyond his means, with the result that he ran heavily into debt. When his means were exhausted, Panin abruptly terminated the negotiations and informed Safras that he could not leave Russia, or even St. Petersburg, until all his creditors had been paid. Safras was thus at the mercy of the minister; nevertheless he was determined not to sacrifice his diamondand he succeded in raising enough money to settle his outstanding debts by selling other gems among the Armenian community in St. Petersburg. Thereupon he withdrew from the Russian capital.

A few years later the Russian Court learned that Safras was residing in Astrakhan and negotiations were reopened for the sale of the diamond, which he was induced to part with, apparently on the original terms. However, at this point in the diamond’s history there is yet more confusion. It has always been thought that the diamond’s much travelled purchaser bought the gem in Amsterdam; there were reports in the London press to that effect. So the conclusion to be drawn is that the business was not successfully completed in Astrakhan – Count Orlov had to travel to Amsterdam to finalize the arrangements. By this time the gem had become known as the Amsterdam Diamond.

Count Grigorievich Orlov (1723-83) was a Russian nobleman and an army officer of great distinction. He was wounded no less than three times during the various campaigns of the Seven Years War. On one occasion he was detailed to escort an important Prussian officer as a prisoner-of-war to St. Petersburg where in 1759 he was presented to the Grand Duke Peter and his consort, Catherine. Leading a riotous life in the capital, he caught the fancy of the Grand Duchess and became her lover. After the accession of Catherine’s husband to the throne as Peter III, Orlov and his younger brother, Count Aleksei Grigorievich, organized the coup of July, 1762 whereby the weak Peter III was dethroned in favor of Catherine and then murdered.


Alexei Petrovich Antropov’s portrait of Catherine the Great.Catherine appointed her lover adjutant-general, director-general of engineers and general-in-chief, but Count Panin, who was her political mentor, frustrated the intention of the Empress to marry Orlov. Continuing to serve Catherine in various capacities, Orlov became deeply resently when she took Aleksander Vassilchikov, then Grigori Potemkin, as lovers in his place. He left Russia in 1775.

Two years earlier Orlov had visited Amsterdam where he came to learn of the existence of Safras’ great diamond. He bought it for a sum reputed to have been 1,400,000 florins, equivalent to 400,000 roubles. Such a purchase, doubtless, would have been made both to remind Catherine of the role which Orlov had played in her accession to the throne and hopefully to restore himself in her favor.

This possibility appeared even stronger at the time, because Catherine herself had refused to accept Safras’ original asking price for the diamond to the Empress on her Saint’s Day; she accepted it and had it set in the Imperial Sceptre, designed by Troitnoki, immediately beneath the golden eagle.

The Empress gave Orlov a marble palace at St. Petersburg, but she never rewarded him with his former position as her favorite. In 1777 Count Orlov married his cousin, but following her death in Lausanne in 1782, he became mentally deranged and returned to Russia to die the following year.

Interestingly, there is supposed to exist a document signed by both Orlov and Lazarev, the court jeweler at St. Petersburg, which places an entirely different interpretation upon the circumstances surrounding the former’s purchase of the diamond.

The Russian author suggest that the role of Count Orlov was merely that of a go-between in the transaction and that it was Catherine the Great who purchased the diamond.

The Empress employed intermediaries for two reason: first, she wished to contrast her own alleged ‘German frugality’ (she had been born a German princess) with the reckless spending habits of her predecessors, and secondly, she considered that it would not have been proper for a monarch to bargain over the purchase price – something which Orlov himself could do. And it was for this service to the Empress that Orlov earned the honor of giving his name to the diamond.

There is a legend concerning the diamond, dating from the time of Napoleon.

As the Emperor of France’s forces were approaching Moscow during the campaign of 1812, the Orlov was secreted in the tomb of a priest in the Kremlin. When Napoleon entered Moscow he gave orders that the gem be sought. After he learned of its whereabouts, Napoleon in person, accompanied by his bodyguards, proceeded to the Kremlin to secure the diamond. The tomb was opened to reveal the great gem. One of the bodyguards stretched out a hand to take the diamond, but before he had touched it the ghost of the priest rose up and cursed the invaders. Napoleon and his bodyguards are then suppose to have fled empty-handed from the Kremlin. Now, on almost all counts this would appear to be nothing more than legend, but it adds yet one more detail to this already complex and most colorful story. Sources: Famous Diamonds by Ian Balfour, The Nature of Diamonds by George E. Harlow, Precious Stones by Max Bauer, Diamonds – Myth, Magic, and Reality by Ronne Peltsman, Neil Grant and about 22 contributing specialists/authors.


El diamante Shah

The Shah is an 88.70-carat, bar-shaped, partially polished diamond bearing three engraved markings. It was probably found in Golconda, India. The first engraving reads “Bourhan-Nizam-Shah-II, 1000″ (Mohammedan calender), which places the stone in the hands of the ruler of the Indian province of Achmednager in 1591.

The next one reads, “Son of Jehangir Shah-Jehan Shah, 1051.” This refers to Shah Jehan, who completed the bejeweled Peacock Throne and built the Taj Mahal (meaning “Elect of the Palace”) for his beloved Queen, Mumtaz Mahal; the date corresponds to 1641.

He and Mumtaz had a beautiful romance. They met while the Emperor was still young Prince Khurrum. Mumtaz was the daughter of a high-ranking palace official and was of Persian extraction. She had white skin and curling black hair that fell on her shoulders. Persian miniatures show her wearing a flaring crownlike headdress, thickly jeweled, and earrings that fell to her shoulders. She was married to the Prince in 1615 and shared all his campaigns throughout India, meanwhile bearing fourteen children.


The Shah’s shape, similar to a quartz crystal, is one of the most unusual in the world of famous diamonds.Jehan ascended the throne in 1627 and was proclaimed Shah of Agra, near Delhi, the following year. The coronation festivities are said to have cost more than seven million dollars. The Shah was weighed and a like amount of gold, silver and gems distributed to the people. But poor Mumtaz lived only a short time after. She died in 1631 in the Deccan, the region of Golconda, while on another expidition with her husband. Jehan then made the construction of the edifice, requiring fourteen years, a major effort of his life.

The Shah is believed to be the stone that Tavernier, the French jeweler and traveler, saw dangling before the throne at the Court of Aurungzeb, Jehan’s son, in 1665. (Before the completion of Shah Jehan’s reign, Aurungzeb rose against his father, imprisoned him and usurped his throne.) How the gem was later carried to Persia is not definately known; it is possible, however, that Nadir Shah, the Persian conqueror of India, took it in 1739 when he seized the Great Mogul’s treasures during the sack of Delhi.

It was during this time that the great diamond was in the possession of the Persian rulers that the third inscription, “Kadjar Fath Ali Shah,” who was the Shah of Persia in 1824, was engraved on it. A tiny furrow was also cut on the diamond, possibly to take the cord on which it was suspended.

In 1829, the Shah was given to Czar Nicholas I of Russia by the Persian Government in appeasement for the assassination of the Russian Ambassador, Alexander Griboyedoff, in Teheren; thus, it became part of the Crown Jewels of that country.

In 1914, when World War I broke out, the diamond was sent to St. Petersburg to Moscow for safekeeping. After the Revolution, when the strong boxes were opened in 1922 by the new regime, the Shah was amoung the treasures. It is now one of the prize possessions in the Russian Treasury of Diamonds & Precious Stones in the Kremlin.

Filed under: ACTUALIDAD,Arqueologia,Arte Antiguo,ARTÍCULOS,Curiosidades,Diamante y joyas,Europa,General,Mujeres de la Historia,OPINIONES,PERSONAJES

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